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exhibitions

TAHI MOORE (NZ)

PSYCHE REBUILD
05.09.2014 – 04.10.2014

Curated by Pip Wallis

EXHIBITION OPENING: FRIDAY 5 SEPTEMBER, 6PM – 8PM
EXHIBITION DATES: 6 SEPTEMBER – 4 OCTOBER

Psyche Rebuild is an exhibition of new work by Auckland artist Tahi Moore and the first solo presentation of his work in an Australian institution.

Building on Moore’s recent body of work Non, Pas La Fortresse! shown at La Salle De Bains in Lyon, the exhibition presents an installation and new video works. These recent videos pair short cuts of imagery with French subtitles and English voiceovers. The relationship between image and language stretches, opening up associative possibilities. Various psychological states are evoked as the videos survey suburban and rural landscapes, sometimes empty, sometimes peopled and often at transitional times of the day.  

Psyche Rebuild weaves together references to film and music history that intersect as synchronicities. Jeans are often integrated into Moore’s work as objects of ontological interest. They appear in this exhibition through a series of plinths painted to reference denim. A pair of AMCO jeans, made in New Zealand in the 1970s, will be worn by someone at the exhibition opening.

Moore’s work tends toward philosophical enquiry and sets aside clarity of perception and narrative in favour of an exploratory atmosphere.

Tahi Moore lives and works in Auckland. Recent solo exhibitions include Non, Pas La Fortresse!, La Salle de bains, Lyons France, 2014; Autonoir, Artspace Auckland, 2013; Abstract Sequels, Returns, Hopkinson Mossman, Auckland 2012; Nonsuch Park, Hopkinson Cundy, Auckland 2011; War against the self, Gambia Castle, Auckland, 2010. Moore’s films and performances have been included in 5th Auckland Triennial, 2013; Mexico City Blues, Shanaynay, Paris and New York Gallery, New York, 2012; Caraway Downs, Artspace, Auckland, 2011; Moment Making, Artspace, Auckland, 2007. Moore is represented by Hopkinson Mossman, Auckland.

This exhibition has been made possible with the generous support of the Chartwell Trust

MISH MEIJERS AND TRICKY WALSH

THE COLLECTOR 12: PAROXYSM
05.09.2014 – 04.10.2014

EXHIBITION OPENING: FRIDAY 5 SEPTEMBER 2014, 6PM – 8PM
EXHIBITION DATES: 6 SEPTEMBER – 4 OCTOBER 2014

And it was all yellow…
- some dude.

It is the same woman, I know, for she is always creeping, and most women do not creep by daylight.
- Charlotte Perkins Gilman.

In this solo exhibition, Tasmanian based artists Mish Meijers and Tricky Walsh present a new iteration of their ongoing workThe Collector Project.

The project examines the fictional character Henri Papin and his world, proclivities and behaviours through the proclivities and behaviours of the observer. In doing so the exhibition positions the audience as mirrors to our surroundings. The collector 12: paroxysm examines this image of self and other which shifts or reveals itself to be assumptions based on superficial guidelines; costume, gesture, speech. Meijers and Walsh, as two female artists inhabiting the mind of a fictional male character, refer to moments in history when it has been necessary to adopt an entire gender as a cloaking mechanism.

The slipperiness of fiction allows many contradictory realities in this non-linear narrative that actively slides between actuality and fantasy with little loyalty to either. The artists say of the project:

This story has decidedly jumped tracks. All truth from here on, should be taken with both a grain of salt, and a suspension of disbelief, as this exhibition in particular is more about the act of the transition than in explaining to the audience what was or what will be, although there are recurrent symbols used which might suggest one thing or another.

The architectural and sculptural constructions in the exhibition variously engage transience and inactivity. They ask the audience to make decisions about the narrative of the work and to chart delineations between past and present, truth and fiction, active and passive.  The project also examines madness in relation to gender difference and specifically the early perception of the female body as an inarticulate puppet possessed by the ailments of the mind. In this way Meijers and Walsh address, through history, women’s bodies as mute public possessions interrogated by societal scrutiny.

Meijers + Walsh are Tasmanian based artists who each maintain rigorous solo and collaborative practices. They are in their ninth year of collaborating on The Collector Project. The exhibition outcomes of this project manifest as immersive, large-scale sculptural installations and performance. In 2012 Meijers and Walsh were awarded a Qantas Foundation Art Encouragement award and were commissioned to make new works for the Tasmanian Museum and Art Gallery, Monash University Museum of Art and the privately funded Detached Cultural Organisation. They were included in the 2013 Mona Foma festival, organised by the Museum of Old and New Art. The Collector project has been a recipient of grants through The Australia Council for the Arts, Arts Tasmania and the Rosamund McCulloch studio award. Meijers and Walsh have undertaken residencies in New York and Paris.

This exhibition has been made possible with the generous support of Arts Tasmania, The Australia Council for the Arts, The National Association for the Visual Arts and Arts Victoria.

 

STUDIO 12: CHARLIE SOFO

( )
05.09.2014 – 04.10.2014

EXHIBITION OPENING: FRIDAY 5 SEPTEMBER 2014, 6PM – 8PM
EXHIBITION DATES: 6 SEPTEMBER – 4 OCTOBER 2014

( ) is an exhibition of new work by Gertrude studio artist Charlie Sofo.

Charlie Sofo holds a MFA from the Victorian College of the Arts and is a resident artist at Gertrude Contemporary, Melbourne. In 2013, Sofo exhibited in Melbourne Now at the National Gallery of Victoria, Desire Lines at the Australian Centre for Contemporary Art, Reinventing the Wheel: The Ready Made Century at Monash University Museum of Art and Everyday Magic at Queensland Art Gallery.

This exhibition has been made possible with the support of Arts Victoria.