Opening Hours

Tuesday – Friday
11.00 – 5.30pm
Saturday
11.00 – 4.30pm

200 GERTRUDE STREET
FITZROY VIC 3065 AUSTRALIA
TELEPHONE +61 3 9419 3406
FACSIMILE +61 3 9419 2519
WWW.GERTRUDE.ORG.AU

DANAE VALENZA, 'WALKIN' AFTER MIDNIGHT'
06.10.2014

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DANAE VALENZA

 

Walkin' After Midnight by Gertrude Studio Artist Danae Valenza opens Thursday 9 October, 6-8pm, at West Space. Walkin' After Midnight is a synchronised field-recording project, creating a point of interaction between discourses around psychogeography and conceptualisation of romantic traditions. The exhibition presents participants from disparate corners of the globe that walk an individual path through their city/town, travelling to the nearest body of water. All are united by the moment their excursion takes place, 12:00am Greenwhich mean time. 

Exhibition Dates: 10 October - 8 November, 2014
Artist Talk: Thursday 6 November, 5.30-6.30pm

Image: courtesy Danae Valenza


LIQUID ARCHITECTURE: THE EAR IS A BRAIN
01.10.2014

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HELEN GROGAN

 

Gertrude Studio Artist Helen Grogan performed Concrete Room (2005-) at the Liquid Architecture: The Ear is a Brain festival opening on September 24 at the Meat Market, Melbourne. In the work a microphone traces the perimeter of the site and in this iteration the artist used one hundred metres of white microphone cable. 

Another work by the artist entitled Sounding Out Art Spaces (Clap test for 16 Melbourne art galleries, 2014) has been released as part of the Ear is a Brain LP launched by Liquid Architecture during the festival. 

Image: Helen Grogan, Concrete Room (2005-), courtesy the artist. Image credit: Laura May Grogan.


MELBOURNE FESTIVAL: WHISPER IN MY MASK
31.12.1969

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MELBOURNE FESTIVAL: WHISPER IN MY MASK

 

The TarraWarra Biennial will present a one-day program of performances, talks and interactive events curated especially for the Melbourne Festival on Sunday 19 October, 2014. 

Gertrude Studio Artist Søren Dahlgaard will perform Dough Warrior Performance in the Landscape. Dressed in French baguettes the artist challenges the idea of painting through the application of pigment to the local vegetation in a uniquely transformative act. 

The Telepathy Project (Veronika Kent and Gertrude Studio Artist Sean Peoples) will host a public event where singers, community choirs and visitors will congregate at the TarraWarra Lake to sing the libretto Reading Solaris to the Great Moorool, written for the Biennial by Melbourne jazz artist Julie O'Hara. The artists will then read aloud to the lake the dreams collected in the Postcard Dream Project. This project collaborated with members of the public by asking audiences to record their dreams after reading the text The Great Moorool. 

Søren Dahlgaard's Dough Warrior Performance in the Landscape will take place at 11am, followed by The Telepathy Projects' Reading Solaris to the Great Moorool at 12pm. Both performances are free events as part of the Melbourne Festival A Day in the Valley morning program.

More information here.

 


TAHI MOORE, SKYPE INTERVIEW
29.09.2014

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TAHI MOORE, Skype interview with Christopher LG Hill and James Deutsher

TUESDAY 30 SEPTEMBER 2014 5:30PM

Tahi Moore will join us via Skype from Auckland on Tuesday to talk about his exhibition Psyche Rebuild currently on at Gertrude Contemporary.

A selection of You Tube videos chosen by Tahi will be followed by a Skype conversation with Christopher LG Hill and James Deutsher, both of whom have worked with Tahi on previous projects, and exhibition curator Pip Wallis. The interview will explore Tahi’s filmic and literary influences, his ongoing use of denim and interest in language.

Tahi Moore’s work tends toward philosophical enquiry and sets aside clarity of perception and narrative in favour of an exploratory atmosphere.

The exhibition Psyche Rebuild presents an installation and new video works. The videos pair short cuts of imagery with French and English subtitles. The relationship between image and language stretches, opening up associative possibilities. Various psychological states are evoked as the videos survey suburban and rural landscapes, sometimes empty, sometimes peopled and often at transitional times of the day. 

Psyche Rebuild weaves together references to film and music history that intersect as synchronicities. Jeans are often integrated into Moore’s work as objects of ontological interest. They appear in this exhibition through a series of plinths painted to reference denim. A pair of AMCO jeans, made in New Zealand in the 1970s, will be worn by someone at the exhibition opening.

Tahi Moore lives and works in Auckland. Recent solo exhibitions include Non, Pas La Fortresse!, La Salle de bains, Lyons France, 2014; Autonoir, Artspace Auckland, 2013; Abstract Sequels, Returns, Hopkinson Mossman, Auckland 2012; Nonsuch Park, Hopkinson Cundy, Auckland 2011; War against the self, Gambia Castle, Auckland 2010. Moore’s films and performances have been included in 5th Auckland Triennial, 2013; Mexico City Blues, Shanaynay, Paris and New York Gallery, New York, 2012; Caraway Downs, Artspace, Auckland, 2011; Moment Making, Artspace, Auckland, 2007. Moore is represented by Hopkinson Mossman, Auckland.

This exhibition has been made possible with the generous support of the Chartwell Trust.

Image: Tahi Moore, Varience time problems etc, (video still) 2014

 


LIQUID ARCHITECTURE: HONG-KAI WANG, CONCEPTUAL BIOGRAPHY OF CHRIS MANN
31.12.1969

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HONG-KAI WANG, CONCEPTUAL BIOGRAPHY OF CHRIS MANN

 

Conceptual Biography of Chris Mann is a part of the 2014 Liquid Architecture program by artist Hong-Kai Wang. Wang works with listening as a conceptual tool to explore social relations and the (re)construction of cultural memory in marginal spaces, focused on a collaborative and process-driven approach to production. Her work spans performance, workshop, text, video and installation. 

Conceptual Biography of Chris Mann will take place on Saturday September 27, 3-6 pm, in Studio 18 at Gertrude Contemporary.

 


THE TELEPATHY PROJECT, 'PRIMAVERA 2014: YOUNG AUSTRALIAN ARTISTS'
19.09.2014

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SEAN PEOPLES AND VERONIKA KENT

 

The Telepathy Project (Veronika Kent and Gertrude Studio Artist Sean Peoples) will be exhibitng at the Museum of Contemporary Art Australia, Sydney, as part of Primavera 2014: Young Australian Artists.

Primavera is an annual showcase of young Australian emerging and established artists . The exhibition is curated in 2014 by guest curator Mikala Dwyer. 

Exhibition runs from 23 September until 30 November at the MCA.

Image: The Telepathy Project, 20 Days of Dream Telepathy, 2013, oil on board, chairs, fabric, paint. Image courtesy the artists and photographer Jake Walker.


GERTRUDE CONTEMPORARY ANNOUNCES NEW CURATOR
10.09.2014

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HELEN HUGHES APPOINTED CURATOR AT GERTRUDE


Gertrude Contemporary is pleased to welcome Helen Hughes to the position of Curator for 12 months.

Helen brings strong curatorial and project management skills to the role as well as a depth of knowledge on contemporary art and writing. In her role as co-founder and co-editor of the Melbourne-based contemporary art journal Discipline (with Nicholas Croggon and David Homewood), Helen has collaborated with Gertrude Contemporary on the Gertrude Contemporary - Discipline Contemporary Art Lecture series since 2013. The board and staff of Gertrude Contemporary are thrilled to welcome Helen to the organisation.

Helen Hughes is co-founder and co-editor of the Melbourne-based contemporary art journal Discipline (with Nicholas Croggon and David Homewood), and was an editor of the peer-reviewed online journal emaj - Electronic Melbourne Art Journal (2012–2014). She has taught art history and theory at the University of Melbourne, and in the Critical and Theoretical Studies department at the Victorian College of the Arts. She is also a PhD candidate in Art History at the University of Melbourne. Since 2009, she has been a chairperson with David Homewood and Nicholas Croggon of the postgraduate Modern and Contemporary Art Reading Group at the University of Melbourne. Helen was the student representative on the Board of the Ian Potter Museum of Art, University of Melbourne between 2012 and 2013.

In April 2013, Helen established and has since organised the Gertrude Contemporary–Discipline monthly contemporary art lecture series with Gertrude Contemporary in Melbourne. Helen was the Lecture and Forum Coordinator for the 2012 Melbourne Art Fair, assistant curator at Utopian Slumps between 2009 and 2011, sub-editor of un Magazine Vol. 4 in 2010, a research assistant for the exhibition and book Cubism and Australian Art (Lesley Harding and Sue Cramer, Heide Museum of Modern Art and Melbourne University Press, Melbourne, 2009) between 2007 and 2009, and participated in the 2009 Gertrude Contemporary and Art & Australia Emerging Writers Program. Helen has written for publications such as frieze, Broadsheet, Art and Australia, Eyeline, un Magazine, Dissect, and Discipline. In 2013, Helen co-edited with Amelia Barikin the anthology Making Worlds: Art and Science Fiction and with Nicholas Croggon, Impresario: Paul Taylor, the Melbourne Years, 1981–1984.

Helen replaces Pip Wallis, who has been seconded for 12 months to Chisenhale Gallery in London. Helen will begin at Gertrude Contemporary in November 2014. 

Photo courtesy Helen May Grogan.

 


GERTRUDE CONTEMPORARY STUDIO PROGRAM
03.09.2014

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GERTRUDE STUDIO PROGRAM APPLICATIONS

 

DUE 12 SEPTEMBER, 2014 BY 5:30 PM

 

Since it's inception in 1983 Gertrude Contemporary's Studio Program has provided practical support and professional advocacy for many of Australia's leading contemporary artists.

Gertrude Contemporary has sixteen low-cost non-residential artist studios available for artists in the first fifteen years of their professional career. Applications are accepted annually for these two-year studio residencies. For those studios becoming available in 2015, applications are due by Friday 12 September by 5:30 pm. 

Succesful applicants are chosen on the basis of quality of work, perceived potential, space requirements and financial need. The organisation also attempts to create a balance of media, gender and age in the studio artist body. 

Applicants will be notified of outcomes by the end of November 2014.

Find more information and application forms here.


SOREN DAHLGAARD, 'THE MALDIVES EXODUS CARAVAN SHOW'
01.09.2014

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SØREN DAHLGAARD

 

The Maldives Exodus Caravan Show is a mobile exhibition that acts to promote environmental and political awareness. Featuring a selection of international artists, the show consists of non-physical artworks and includes performance, video and an educational program.

The Maldives Exodus Caravan Show curated by Gertrude Studio Artist Søren Dahlgaard as an Official Collateral Event of the 55th Venice Biennale with Museum of Everything, will tour to two venues this month.

On the 21 September the exhibition opens at Silent Barn Art Center, New York until 5th October and will also be part of Peoples Climate March, Manhattan, NYC. On the 27 September it opens at CCA Andratx in Mallorca, Spain until 15th March 2015. 

Image: Søren Dahlgaard, The Maldives Exodus Caravan Show, image courtesy the artist


TERRY SMITH LECTURE
01.09.2014

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TERRY SMITH 

 

Gertrude Contemporary is pleased to be partnering with Discipline and the National Gallery of Victoria to present World Art Now, The Provincialism Problem Then: 40 years of contemporary art, a lecture by Terry Smith.

Smith will describe the circumstances of the writing of the seminal article The Provincialism Problem, first published in New York magazine Artforum in September 1974. This article was among one of the first to question the concentration of modernist values in the artworld in cities such as New York, Paris, and London. In this lecture Smith will trace the responses to the article up to the present day, including his own changes of mind. He will consider how the problems and possibilities identified in the 1970's  have fared since then, and how world pictures changed during the shift from late modern to contemporary art.

World Art Now, The Provincialism Problem Then: 40 years of contemporary art takes place on Wednesday 3 September, 6 pm, at The National Gallery of Victoria Clemenger BBDO Auditorium, Ground Level, 180 St Kilda Road (enter via North entrance.)

Book online here.


THE TELEPATHY PROJECT, 'HAVE YOU HEARD OF THE GREAT MOOROOL? TOWN MEETING'
25.08.2014

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SEAN PEOPLES AND VERONIKA KENT

 

The Telepathy Project will host a "town meeting" as part of their work 'Reading Solaris to the Great Moorool' for the Tarrawarra Biennial 2014: Whisper in My Mask. The free event at the Healesville Hotel will play host to a diverse panel that will explore and celebrate histories, knowledge and stories of water in the Yarra Valley and beyond.  

Guest Speakers include: Aunty Joy Wandin Murphy AO, Senior Wurundjeri Elder; Dr Leon Marvell, Associate Professor in Film and Video, Deakin University; Mick Woiwood, Author and local historian; The Healesville and District Historical Society and Artists Sean Peoples and Veronika Kent.

The "town meeting" will take place at the Healesville Hotel Tuesday 2 September, 2014. No bookings are required.

Arrive at 5 pm, for 5.30 - 7 pm.

More information here.


HELEN GROGAN
13.08.2014

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HELEN GROGAN, STUDIO 3

 

These pictures are from Gertrude Studio Artist Helen Grogan's studio space. The artist has multiple projects in stages of development up in Studio 3 at 200 Gertrude Street. Helen applies choreographic thought and processes as strategies to activate spaces and situations, and seeks an embodied attention to the present and concrete.

Helen Grogan is currently in the process of making the work 'Choreography (For Gallery 2, ACCA), 2006 - 2014', for forthcoming exhibition Framed Movements at ACCA. The print outs depicting a marquette show the collaborative working process of Helen with dutch artist Gwenneth Boelens.

Helen is also curating a six-part series on choreography as an expanded field entitled SPECIFIC IN-BETWEEN (The choreographic negotiated in six parts). The series is also a part of Framed Movements and will occur over six Wednesdays in ACCA's gallery one, and through accompanying online materials. The white laminate flooring currently in her studio will act as a movable setting to generate alernative relationships between the viewer and performance. Artists involved include; Gwenneth Boelens, Matthew Day, Agatha Gothe-Snape, Nathan Gray, Helen Grogan, Brian Fuata, Geoff Robinson, Claire Lamb, Shelley Lasica, Benjamin Woods amongst others.

Framed Movements will run from 10 October until 23 November at ACCA, and is also a part of the Melbourne International Arts Festival. 

Helen presented a performance and installation work at Slopes in April this year, which she is currently developing for a 4-week long solo exhibition at West Space early next year, concurrently presented with a solo project by Gertrude alumni Geoff Robinson.

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SASKIA SCHUT AND SCOTT MITCHELL, 'READING ROOM''
13.08.2014

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SASKIA SCHUT AND SCOTT MITCHELL

 

The Reading Room is part of current Gertrude exhibition Nothing Beside Remains curated by Tara McDowell. The exhibition activates the entire building at 200 Gertrude with works by thirteen prominent Australian and international artists.

Situated in the front gallery the Reading Room has promoted and played host to a series of events by various collaboraters. Saskia Schut and Scott Mitchell have organised readings by artists, writers, designers, and publishers. The space has continued to subtly respond to the tenor of the texts through alterations to the atmosphere, lighting, time of day, and refreshments. 

All of the readings have been recorded and can be accessed here.

Nothing Beside Remains, and Reading Room events, will continue until the 23 August.


SARAH CROWEST AND BENJAMIN WOODS, 'BETTER. FASTER. STRONGER.'
06.08.2014

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SARAH CROWEST AND BENJAMIN WOODS

 

Gertrude Studio Artist Sarah CrowEst and Benjamin Woods will present a new collaborative project with c3 Contemporary Art Space at the Melbourne Art Fair.

In the project room, a sloping platform will display an array of sculptures, vessels and action instruments in various stages of making and unmaking. The walls will be subtly marked with ghostly traces of the process of installing the work and various slight, almost imperceptible spatial interventions. 

The MAF Project Rooms showcases the work of a new generation of unrepresented artists in association with public and independant contempoarary art spaces from around Australia creating an opportunity for innovative and experimental work to be shown within the context of a major international art event.

Melbourne Art Fair runs from the 13 - 17 August. 

Image: Sarah CrowEst, courtesy the artist and c3 Contemporary Art Space.


SEAN BAILEY, 'THE DREAMER IS STILL ASLEEP'
06.08.2014

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SEAN BAILEY

 

Gertrude Studio Artist Sean Bailey will exhibit work at the forthcoming exhibition The Dreamer is Still Asleep curated by Linsey Gosper. The exhibition takes as its reference point the quest for knowledge of the unknown that extends beyond pure reason and the physical sciences. Exhibiting artists also include; Benjamin Armstrong, Naomi Bishop, Ben Cauchi (NZ) and Patrick Doherty. 

Exhibition runs 8 August - 6 September at Strange Neighbour

Image: Sean Bailey, 'Green Window' 2013, synthetic polymer paint, collage, glass, linen Board, artist frame, 53.5 x 43.5 cm. Courtesy of the artist and Daine Singer, Melbourne.


JESS JOHNSON AND SEAN BAILEY, 'SPRING 1883'
06.08.2014

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JESS JOHNSON AND SEAN BAILEY

 

Spring 1883 is a new art fair that sees twenty galleries exhibiting in a suite at The Windsor, Melbourne's oldest grand hotel. The fair draws on the traditions of the Gramercy Park Fair, New York and provides a site for dialogue between galleries, artists and collectors. Participation in Spring 1883 is by personal invitation only. 

Gertrude Studio Artist's Jess Johnson and Sean Bailey will both exhibit new work with Darren Knight Gallery, Sydney and Daine Singer, Melbourne respectively.

Spring 1883 runs from August 14 - 17.

Image: Jess Johnson, Culture Pact Triptych, 2014, 3 step frame, pen, fibre tipped markers, metallic paint and gouache on paper, 185 x 93 cm framed. Courtesy the artist.


2015 ASIALINK ARTS RESIDENCY PROGRAM GRANTS
04.08.2014

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CALL FOR APPLICATIONS

 

The Asialiank Art Residency Program is designed to create meaningful and enduring relationships between individuals and organisations in Australia and Asia. Asialink works in partnership with arts residency centres in the region to realise this goal. Asialink Arts Residencies are professional development opportunities, aimed at being mutually beneficial to both host and resident through two-way knowledge and skills transfer, which is emphasized by way of their Reciprocal Residency and Residency Laboratory programs.

Applications close 30 September, 5 pm EST.

More info here.


ART START GRANTS APPLICATION CALL OUT
04.08.2014

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CALL FOR APPLICATIONS


The Australia Council ArtStart program is designed to give financial assistance to recent arts graduates, to ease the trasnsition from studying to a professional career in the arts. An ArtStart grant could provide you with up to $10,000 to fund services, resources, skills development and/or equiptment to assist your professional practise.

Next round of applications close 22 September.

More info here.


SARAH CROWEST, 'DEEP TIME'
27.07.2014

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Sarah CrowEst

 

Deep Time opens 30 July, 6 pm at TCB art IncDeep Time is a term employed to describe the unfathomable depths of the earth's geological history. It presumes the mind's incapacity to grasp the concept of geological eras and so substitutes a measurement with a metaphor. The exhibition will explore the significance of geology in our present time.

Artists' include; David Mutch, Susan Jacobs, Ross Taylor, Andy Hutson and Gertrude Studio Artist Sarah CrowEst. 

Exhibition continues until 16 August, 2014.

Image: Sarah CrowEst, courtesy the artist.


CALL FOR VOLUNTEER INVIGILATORS TO PERFORM AGATHA GOTHE-SNAPE 'AN UNCERTAIN READER'
17.07.2014

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CALL FOR VOLUNTEERS

 

Gertrude Studio Artist Agatha Gothe-Snape is creating a work entitled 'An Uncertain Reader' for the forthcoming exhibition 'Nothing Beside Remains' curated by Tara McDowell.

Gothe-Snape asked former Gertrude Studio Artists, from throughout the 30 years of the organisation’s history, to nominate a text that was influential during their time in residence. The submitted texts have been compiled into a reader that charts the social and intellectual history of Gertrude and the reoccurring trends and ideological deposits in cultural production that occurred there. 

The reader will be read only by the gallery invigilators who sit in the building throughout the month long exhibition. They are invited to annotate and highlight the reader if they choose to, and read the tome either as individuals or collectively – whatever they see fit. This access to the knowledge contained in the reader is an exchange made with the people who contribute their time and energy through the act of invigilating. It is up to the invigilator to share, if they have the desire to do so, the knowledge in the reader to gallery visitors, colleagues or friends.

Gothe-Snape will hold a workshop for the invigilators prior to the exhibition opening at a time to be confirmed. 

We are seeking invigilators to sit in the upstairs hallway of Gertrude Contemporary and read 'An Uncertain Reader' between Saturday 26 July and Saturday 23 August. 


The work periods will be:
11am – 2pm and 2pm – 5:30pm, Tuesday – Friday 
11am – 4:30pm Saturday 

Each invigilator is payed a lunch and travel payment. 

If you're interested in being involved please contact Shae Nagorcka, Gallery Manager at [email protected]

Image: Agatha Gothe-Snape, courtesy the artist


SEAN BAILEY, 'MARKED AND UTTERING'
18.07.2014

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SEAN BAILEY

 

Gertrude Studio Artist Sean Bailey's exhibition Marked and Uttering opens at West Space on Thursday the 31 July, 6 - 8 pm. The exhibition is the outcome of the artists belief that the process of painting is an improvised, meditative and intuitive practise, that also relies upon self-created systems and rituals with which to work. Marked and Uttering is the outcome of working within these systems and parameters that allow for chance, undesired/desired things to occur and subconscious direction.

Artist Talk: Thursday 28 August 2014, 5:30-6:30pm

Exhibition runs from 1 - 30 August

Image: Sean Bailey, courtesy the artist


SCOTT MILES, 'NOTHING UNDER THE SUN'
08.07.2014

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SCOTT MILES

 

Nothing under the sun by Gertrude Studio Artist Scott Miles opens at West Space on the 31 July, 6-8pm. The exhibition is an installation of paintings and sound works within a constructed environment that encourages an immersive, durational and sensory engagement with painting. Reflecting on the condition of the arctic circle during winter, Nothing under the sun is informed by the experience of reduced optical capacity and explored through an investigation of the nocturne.

 

Exhibition runs from 1-30 August.

Image: Scott Miles, courtesy the artist.


2014 GERTRUDE CONTEMPORARY AND 'ART & AUSTRALIA' MAGAZINE EMERGING WRITERS PROGRAMME
07.07.2014

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EMERGING WRITERS PROGRAM MENTEES

 

We are delighted to announce the mentees for the 2014 Gertrude Contemporary and Art and Australia Emerging Writers Program.

Run in partnership with Australia’s leading art magazine Art and Australia, this program offers four emerging writers the opportunity to develop their writing practice and gain further insight into the field of contemporary art writing through a mentorship with a leader in the field and to create two pieces of professional writing for publication.

The 2014 participants are:

Aodhan Madden (Melbourne) who will be mentored by Kyla McFarlane, freelance writer and curator, and Associate Curator at the Centre for Contemporary Photography, Melbourne.

Eleanor Zeichner (Sydney) who will be mentored by Anne Loxley, writer, curator and the C3West Curator at the Museum of Contemporary Art, Sydney.

Julian Murphy (Melbourne) who will be mentored by Gabriella Coslovich, freelance writer and editor of Gallery magazine at the National Gallery of Victoria.

Chloe Mandryke (Sydney) who will be mentored by Jeff Khan, curator, writer and Artistic Director, Performance Space, Sydney.

Established in 2005, the Gertrude Contemporary and Art and Australia Emerging Writers Program provides a unique opportunity for emerging visual arts writers to contribute to critical discussions of Australian contemporary art.

The Emerging Writers program is designed to professionally support emerging arts writers who are committed to a career in contemporary art and criticism. The program provides participants with professional development and mentorship and is the longest-running program of it’s kind in Australia. Participants will contribute to the growth of a rich and insightful critical culture around contemporary art in Australia and gain unparalleled access to professional networks and the opportunity to publish in Australia’s preeminent art magazine.

Each writer will create a catalogue essay for a Gertrude Contemporary Studio 12 exhibition and an artist profile for the Art and Australia / Credit Suisse Private Banking Contemporary Art Award for publication in Art and Australia magazine.

To view previously published outcomes of this program please see the Emerging Writers section on our website: http://www.gertrude.org.au/programs/emerging-writers/ emerging-writers-32/

This program is made possible with the support of Copyright Agency Cultural Funding.

For further information please contact

Pip Wallis, Assistant Curator - Communications Gertrude Contemporary
200 Gertrude St
Fitzroy,VIC, 3065
[email protected]

Image: Alex Martinis Roe, Free Associations, 2010, altered installation view, 20 minute durations, masonite, hardwood, tile grouting, acrylic paint, chalk.


THE TELEPATHY PROJECT, TARRAWARRA BIENNIAL
07.07.2014

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SEAN PEOPLES AND VERONICA KENT

 

The Telepathy Project (Veronica Kent and Gertrude Studio Artist Sean Peoples) will be exhibiting at the Tarrawarra Biennial 2014: Whisper In My Mask. Their work 'Reading Solaris to the Great Moorool' will explore and celebrate histories, knowledge and stories of water in the Yarra Valley.

The Tarrawarra Biennial celebrates new currents in contemporary Australian art and is curated this year by Natalie King and Djon Mundine.

Exhibition runs from 16 August - 16 November 2014 at the Tarrawarra Museum of Art, Healesville.

Image: The Telepathy Project 'Reading Solaris to the Great Moorool', courtesy the artists' and the Tarrawarra Museum of Art.

 


DANAE VALENZA, NEW14 ARTIST INTERVIEW
03.07.2014

DANAE VALENZA

 

Watch Gertude Studio Artist Danae Valenza's artist interview produced by ACCA for NEW14. 'Colour Piano for Chromatic Portraits' was exhibited at the gallery from 15th March - 18th May 2014 with performances happening daily.

Video courtesy ACCA. 


SARAH CROWEST, 'HEAVEN-SENT CRUMBS'
03.07.2014

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SARAH CROWEST

 

Heaven-sent crumbs opens Saturday the 5th July from 4 – 6pm in the Project Room at Utopian Slumps. The joint exhibition by Justin Hinder and Gertrude Studio Artist Sarah CrowEST responds to the narrative of Joan Lindsay’s 1967 novel ‘Picnic at Hanging Rock’. The exhibition will run from 5 – 26th July.

Image: Sarah CrowEST, courtesy the artist.


ALASDAIR MCLUCKIE, 'TWO LOVERS SIT ON A BEACH DREAMING AT THE NIGHT SKY AS THE WAVES WAVE HELLO TO THEIR ETERNAL MOON FRIEND, WHO SMILES AND WAVES RIGHT BACK'
03.07.2014

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ALASDAIR MCLUCKIE

 

Alasdair McLuckie’s new exhibition Two lovers sit on a beach dreaming at the night sky as the waves wave hello to their eternal moon friend, who smiles and waves right back opens July 4th at Murray White Room. The exhibition continues until August 16.

Image: Alasdair McLuckie, Untitled 2014,Woven and embroidered glass seed beads on wool, mounted on birch wood panel, courtesy of the artist and Murray White Room.


SOREN DAHLGAARD, TARRAWARRA BIENNIAL
02.07.2014

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SØREN DAHLGAARD 

 

Søren Dahlgaard will be exhibiting at the upcoming TarraWarra Biennial 2014: Whisper In My Mask opening on August 16th. Curators Natalie King and Djon Mundine will explore the theme of masking, secrets and hidden narratives as psychological states. The biennial celebrates new currents in contemporary Australian art practise.

Image: Søren Dahlgaard, 'Bobby Bunnungurr, Dough Portrait 2014'. Image courtesy Søren Dahlgaard and BiennaleFoundation.org


AGATHA GOTHE-SNAPE, 8TH BERLIN BIENNALE
02.07.2014

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AGATHA GOTHE-SNAPE

 

Agatha Gothe-Snape is exhibiting in the 8th Berlin Biennale for Contemporary Art that opened on the 29th of May. Agatha’s work, Untitled (2014), is a text-based procedural work for the splash page of the Biennale’s website made up of eighty word combinations appearing randomly.

To see Agatha's work click here and refresh your screen.

Image: Agatha Gothe-Snape, 'Untitled (2014), screenshot http://www.berlinbiennale.de. Image courtesy Agatha Gothe-Snape and the 8th Berlin Biennale.


TULLY MOORE'S WORLD CUP BREAKFAST BAR
01.07.2014

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TULLY MOORE

 

Tully Moore’s World Cup Breakfast Bar (TMWCBB) continues until the 13th of July as a part of this years programming in the West Space Reading Room. All of the finals for the 2014 FIFA World Cup Brazil will be shown live with breakfast dishes served to complement the nations playing to win the cup. Stay-up-to date with match times and results via twitter @tmwcbb and head over to the TMWCBB to watch the ‘World Game’.

More information here

Image courtesy Tully Moore and West Space.


BRIDIE LUNNEY, 'THE PLACE WHERE THE FIRE IS KEPT'
01.07.2014

1 - Bridie Lunney, 'The place where the fire is kept', installation view, 82 Flinders Street, Melbourne. Image courtesy Bridie Lunney

BRIDIE LUNNEY

 

Gertrude Studio Artist Bridie Lunney presents The place where the fire is kept for the Phoenix Foyer Commission at 82 Flinders Street, Melbourne. Curated by Martina Copley the site-specific work responds to the architectural place of many movements, the foyer.

See more info

Image: Bridie Lunney, 'The place where the fire is kept', installation view, 82 Flinders Street, Melbourne. Image courtesy Bridie Lunney.


TINNN READER LAUNCH
11.04.2014

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TiNNN Reader Launch

 

SATURDAY 12 APRIL, 5PM – 7PM 

Following her residency at Gertrude Contemporary's Visiting Curators Program in March 2014, Berlin curator Fiona Geuss led a workshop, together with artists and Public School founders Caleb Waldorf and Sean Dockray, that resulted in creation of the TiNNN reader. The publication comprises readings proposed by participants following the workshop.

This reader states that there is no now now, or that - as Russian literary scholar Mikhail Bakhtin put it - everyday anew we have to answer the questions addressed by art with our own lives.

Fiona states; we met on Saturday, March 15 for a spontaneous workshop at Gertrude Contemporary, which assessed our (artists, writers, curators, academics, etc.) ongoing relationships with cultural institutions of varying scales.

The focus was oriented towards how institutional frameworks impact and inform our practices in an ongoing manner, from the perspective of the day to day activities that comprise our work. The conversation departed from the opposition and the resistance mobilised against the Biennale of Sydney's funding by Transfield and the subsequent repercussions, both known and speculative. The desire was to connect the situation taking place in this context to a broader set of concerns facing many who work within, and rely on, contemporary cultural infrastructures.

As output of the workshop participants decided to create a reader related to topics around corporate funding, alternative institutions, and the social impact of art. Over the course of one week, we collected the group’s contributions for seven chapters that emerged during our discussion. Without having a precise goal this collection called TiNNN could be followed by an annotated publication, be a starting point of a series of public events in different places, or serve as compilation for further discussions - in Melbourne and elsewhere.

A pdf of the reader can be accessed on the aaaaarg website here.

Image: Published in the German newspaper Frankfurter Allgemeine Zeitung, July 3rd, 1987, subtitled 'Die Kunst des Zuschauens' (the art of spectating).

 


SOUTH WAYS
11.03.2014

SOUTH WAYS MELBOURNE ROUND TABLE AND READINGS 

South Ways is an open program of reading and discussion that seeks to define creative practices that are particular to the South. It follows from the earlier South Project in seeking to position Australia within emerging south-south exchanges involving artists and writers in Africa, South Asia, Pacific and Latin America. Beyond reference to common themes, South Ways is a space to consider the platforms on which art exists.

The roundtables held during 2014 will each take an action as their origin, with 'open' underpinning the Melbourne event. This roundtable will address art that reveals its conditions.

More information can be found here. For inquiries and to join the email discussion with access to reading and discussion, please email [email protected] 

 


FUTURE GENERATION ART PRIZE
11.03.2014

1 - Unnamed

The Victor Pinchuk Foundation and the PinchukArtCentre open the Application Procedure for the third edition of the Future Generation Art Prize 2014. Young artists up to 35 wherever they live and work can apply starting from January 13 till April 12, 2014 at the competition’s website

The Future Generation Art Prize established by the Victor Pinchuk Foundation in 2009 is a worldwide contemporary art prize to discover, recognize and give long-term support to a future generation of artists. The Prize is a major contribution to the open participation of younger artists in the dynamic cultural development of societies in global transition.

The Main Prize will be awarded to one artist who will receive the amount of US$ 100,000 from the international jury in the context of an exhibition. The Prize will be split in US$ 60,000 in cash and US$ 40,000 for the investment of new work production.

All artists up to 35 may apply with their work without any restrictions concerning gender, nationality, race or artistic medium.

More information here.




SEOUL ART SPACE GEUMCHEON RESIDENCY APPLICATION CALL OUT
27.03.2014

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Seoul Art Space Geumcheon's annual residency program is now open for applications. 

This international artist residency program provides travel, accomodation and partial project costs for a three month residency period. 

Applications are due 28 March 2015 and more information can be found here.


2014 GERTRUDE CONTEMPORARY ANDART AND AUSTRALIA MAGAZINE EMERGING WRITERS PROGRAM
28.02.2005

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The Gertrude Contemporary and ARTAND Australia Emerging Writers Program provides a unique opportunity for emerging visual arts writers to contribute to the critical discussion of Australian contemporary art.

Run in partnership with Australia’s leading art magazine ARTAND Australia, this program is based in Melbourne and Sydney. It offers four emerging writers the opportunity to develop their writing practice, publish their work and gain further insight into the field of contemporary art writing. 

The program contributes to the growth of a rich and insightful critical culture around contemporary art, providing participants with professional development and mentorship. Established in 2005, it is the longest-running program of its kind in Australia and offers unparalleled access to professional networks and the opportunity to publish in Australia’s most important art magazine.

Four applicants selected to participate in the program are teamed with a mentor who is a leader in the field and with whom they work to create two pieces of professional writing for publication. Each writer produces a catalogue essay for a Gertrude Contemporary Studio 12 exhibition and an artist profile for publication in ARTAND Australia magazine. The Emerging Writers from New South Wales will be required to travel to Melbourne to meet with the Gertrude Contemporary Studio Artist on whose work they will be writing for the Studio 12 exhibition catalogue.

 

The 2014 Mentors:

Gabriella Coslovich, freelance writer and editor of Gallery magazine at the National Gallery of Victoria.

Jeff Khan, curator, writer and Artistic Director, Performance Space, Sydney.

Anne Loxley, former Sydney Morning Herald art critic, has published numerous essays and articles. She is currently C3West Curator at the Museum of Contemporary Art Australia.  

Kyla McFarlane, freelance writer and curator, and Associate Curator at the Centre for Contemporary Photography, Melbourne.


Applications should include:                                                                

• A cover letter expressing why you would like to take part     

 • Curriculum Vitae                                                                    

• A writing sample of up to 700 words (Preferably a catalogue essay or review of an art work, exhibition or event rather than a university essay or thesis extract. This does not need to have been previously published.)

DEADLINE: Friday 21st March 5pm (late applications will not be accepted. Email applications are preferred.  Applications sent via post must be postmarked Friday 21st March)

Email your application to:                                                                                      

Shae Nagorcka, Gallery Manager   

[email protected]

Or post to: 

Gertrude Contemporary                                                          

200 Gertrude Street, Fitzroy VIC 3065    

Image: Alex Martinis Roe, Free Associations, 2010, altered installation view, 20 minute durations, masonite, hardwood, tile grouting, acrylic paint, chalk. 

 


ASSEMBLY: AN OPEN DISCUSSION ON CULTURAL APPROPRIATION
31.12.1969

1 - Unnamed

TUESDAY 25 FEBRUARY 2014, 6PM – 8PM. FREE EVENT, BOOKINGS NOT NECESSARY.

AN OPEN DISCUSSION ON CULTURAL APPROPRIATION

ASSEMBLY IS A PLATFORM FOR DISCUSSION IN RESPONSE TO CURRENT EVENTS AND IDEAS

Recent debates have raised a number of questions about the nature and ethics of western artistic practices that appropriate from nonwestern cultures. This forum intends to explore the colonial history of cultural appropriation in Australia, and to reflect on what continuities exist between contemporary and historical forms and strategies of appropriation.  

Gertrude Assembly is hosting this forum following discussion generated by the recent exhibition of work by Melbourne fashion label P.A.M. with the intention of expanding and extending the dialogue.

Moderator: 

Eugenia Flynn is the co-ordinator of the Willin Centre at the VCA.

Speakers:

Paola Balla was a curator in the Melbourne Indigenous Arts Festival in 2012. She is an artist, community arts practitioner, Indigenous studies lecturer and, most recently, a Victorian Indigenous Art Award (VIAA) winner.

Texta Queen uses the humble felt-tip pen to explore politics of sexuality, gender, race and identity in tangent with ideas of self-image and inter-personal relationships. Texta also publishes widely on race and racism.

Dr. Odette Kelada is a lecturer in Australian Indigenous Studies at the University of Melbourne. Odette Kelada researches and publishes on whiteness, race and gender in Australian writing and the arts. Key interests include the constructions of nation, body and identity in creative representations and the pedagogy of racial literacy.

Dianne Jones is an artist whose work deals with indigenous identity and cultural history. She is represented by Niagara Galleries. She also teaches a racial literacy course with Odette Kelada.

 


2014 STUDIO ARTISTS ANNOUNCED
13.11.2013

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Gertrude Contemporary is delighted to announce the 2014 studio artists Ross Coulter, Sarah CrowEST, Søren Dahlgaard, Minna Gilligan, Helen Grogan,  Claire Lambe, Tully Moore, Sean Peoples and Danae Valenza. 

These artists will enter the Gertrude Contemporary Studio Program in 2014 to join the ongoing group of eight artists in residence.

Since its inception in 1983, Gertrude Contemporary’s Studio Program has provided practical support and professional advocacy for many of Australia’s leading contemporary artists. The program, which consists of sixteen non-residential studios, is available to artists in the first fifteen years of their professional practice and provided for two-year tenures. 

Through the ongoing importance of this on-site studio program the artist is placed firmly at the centre of the Gertrude Contemporary community.

Work by the current Gertrude Contemporary studio artists will be exhibited in the annual Gertrude Studios exhibition. Gertrude Studios 2013 opens on Friday 15 November, 6 - 8pm and the exhibition runs until 11 December.

As part of the annual exhibition Gertrude Contemporary Studio Artists will be opening their studios to the public for one afternoon only on Saturday 23 November 1 - 4pm. This is an exclusive opportunity to meet the artists and gain an invaluable insight into their practices.

 


EMMA CRIMMINGS APPOINTED DIRECTOR AT GERTRUDE CONTEMPORARY
11.11.2013

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Gertrude Contemporary is pleased to announce the appointment of Emma Crimmings to the role of Director.

Emma brings to the role strong creative, business and leadership skills, having worked as a filmmaker, a Producer for ABC TV Arts, a curator at the Australian Centre for the Moving Image and the Australian Centre for Photography, and most recently as Acting Director and Program Manager of Cultural Affairs at the Australian Embassy in Washington DC.

Gertrude Contemporary Chair of the Board, Mandy Fox, says “We are delighted to welcome Emma Crimmings to the role of Director. From her formative academic speciality in art history and criticism, to acclaimed work as an independent filmmaker, Emma also brings to Gertrude Contemporary tremendous skills in curatorship and project management. We are very pleased to appoint a Director who combines creative vision with such strong management and fundraising experience.”

Over three decades, Gertrude Contemporary has supported experimentation in the production and presentation of contemporary art through a unique combination of exhibition and studio programs, alongside innovative cultural exchange, professional development and public programs that acknowledge the increasingly multi-disciplinary nature of art practice.

With her breadth of experience across artistic disciplines, Emma is well placed to maintain the diversity and ambition of Gertrude Contemporary’s programs, and to lead the organization through an exciting phase in its history.  

Emma’s dynamism and extensive national and international networks throughout the cultural sector will be an asset in working with the Board to galvanize the support of our current community and shore up the organization for a long and sustainable future.

“With a unique and rich history, Gertrude Contemporary plays a vital role within the Australian arts community. I am looking forward to building upon the organization’s strengths, identifying new audiences and spearheading an exciting relocation plan” says Crimmings. 

Emma will begin her role as Director at Gertrude Contemporary in mid-January 2014.

 


GERTRUDE CONTEMPORARY SEEKS NEW DIRECTOR
17.09.2013

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A RARE AND EXCITING OPPORTUNITY TO LEAD THIS NATIONAL AND INTERNATIONAL CONTEMPORARY ART ORGANISATION

 

Gertrude Contemporary is seeking a charismatic and communicative director who has successfully led an art institution in the past, or who has otherwise shown distinctive leadership in the field of cultural programming and/or contemporary art. The ideal candidate has an in-depth knowledge of cultural initiatives and contemporary art, and an established position within local, national and international cultural networks. 

The ideal candidate is a confident, open art-world professional who has a long-term vision for Gertrude Contemporary, and the necessary social and managerial skills to lead the organisation in the areas of artistic programming and organisational sustainability. 

Reporting to the Chairperson and Board, the Director will provide organisational leadership in the pursuit of significant targets relating to artistic programming, audience development, fundraising, stakeholder liaison, infrastructure and securing a long-term housing solution.  

The role will be integral to creating a sustainable platform for activities in the coming years, nurturing a vision that is both ambitious and feasible in a national and international context. The Board of Directors regards this appointment as an exciting moment for Gertrude Contemporary to build on its existing strengths and explore new opportunities. The Director will be required to ensure the continuation of Gertrude Contemporary’s vital role in supporting the production and presentation of contemporary art, working collaboratively across a complex organisation to deliver exceptional results. 


Gertrude Contemporary Profile: With risk, experimentation and critical ideas at the heart of everything we do, Gertrude Contemporary leads the way as Australia’s first and most influential combined gallery and studio complex.                       

 Established in 1983 in a large converted warehouse in Fitzroy, Melbourne, and named initially after its address – 200 Gertrude Street - the organisation has since expanded, transforming from an address to an entity, and changing its name to Gertrude Contemporary in 2010.

Over three decades Gertrude Contemporary has built on its origins to accommodate the diversification of contemporary art practices. With the artist firmly placed at the centre of all our activities, we continue to position ourselves at the nexus between the production of contemporary art through our studio programs, and its presentation through our exhibitions, publications and public programs. 

 

Application Deadline 5pm Wednesday 9 October 2013  

For more information or to request a copy of the Position Description please direct your enquiries to: Mandy Fox, Chairperson, Board, Gertrude Contemporary, [email protected]

 


GERTRUDE CONTEMPORARY - DISCIPLINE LECTURE #6
25.09.2013

1 - Print'

LECTURE #6: NIKOS PAPASTERGIADIS, ON FRIENDSHIP 

Thursday 26 September, 2013, 6pm for 6:30pm, free event, bookings not necessary.

How do we know what we like when it comes to art? 

We are pleased to announce that the sixth lecture of the Gertrude Contemporary – Discipline: Contemporary Art Lecture Series will be given by Melbourne academic and writer Professor Nikos Papastergiadis.

In this lecture, On Friendship, Papastergiadis will consider what role sensory awareness plays in our knowledge of contemporary art. He will argue that the answer to these questions requires more than just looking at art.

The Gertrude Contemporary – Discipline: Contemporary Art Lecture Series is a collaboration between Melbourne-based contemporary art journal Discipline and Gertrude Contemporary. The series presents lectures on key concerns, artists and theories of contemporary art.  Throughout 2013 lecturers will speak from the perspective of a variety of different disciplines — including philosophy, cultural studies, art history and literary studies — as well as from academic and non-academic backgrounds.

Nikos Papastergiadis is Professor at the School of Culture and Communication and Director of the Research Unit in Public Cultures at the University of Melbourne. His current research focuses on the investigation of the historical transformation of contemporary art and cultural institutions by digital technology. His publications include Modernity as Exile (1993), Dialogues in the Diaspora (1998), The Turbulence of Migration (2000), Metaphor and Tension (2004) Spatial Aesthetics: Art Place and the Everyday (2006), Cosmopolitanism and Culture (2012) as well as being the author of numerous essays which have been translated into over a dozen languages and appeared in major catalogues such as the Biennales of Sydney, Liverpool, Istanbul, Gwanju, Taipei, Lyon, Thessaloniki and Documenta 13.

Listen to Nikos Papastergiadis' lecture here.

 


GERTRUDE CONTEMPORARY - DISCIPLINE LECTURE #7
29.10.2013

1 - Print

LECTURE #7: INTERFACE, ACCESS, LOSS

Wednesday October 30, 2013, 6pm for 6:30pm, free event, bookings not necessary.

From peer-to-peer utopianism of a decade ago to the power and data centralising within today’s Internet platforms, Sean Dockray will survey how the structure of digital property has changed over recent years with the growth of “the cloud” in the seventh lecture of the Gertrude Contemporary – Discipline: Contemporary Art Lecture Series.

Dockray, initiator of knowledge-sharing platforms The Public School and aaaarg.org, will draw on computer science to trace the shifts in online knowledge sharing in what he calls “a dark lecture, written under the cloud’s shadow”, but one that will attempt to gesture toward “cracks in those interfaces that define the seemingly impermeable contours of this new reality.”

The Gertrude Contemporary - Discipline: Contemporary Art Lecture Series is a collaboration between Melbournebased contemporary art journal Discipline and Gertrude Contemporary. The series presents lectures on key concerns, artists and theories of contemporary art. Throughout 2013 lecturers have spoken from the perspective of a variety of different disciplines — including philosophy, cultural studies, art history and literary studies — as well as from academic and non-academic backgrounds.

Sean Dockray is an artist, a founding director of the Los Angeles non-profit Telic Arts Exchange, and initiator of knowledge-sharing platforms The Public School and aaaarg. org. As a research fellow the Post-Media Lab at Leuphana University last year, he explored the physical infrastructure of the sharing economy, focusing on Facebook’s new northern European datacenter. His written essays address topics such as online education (Frieze), the militarization of universities (in Contestations: Learning from Critical Experiments in Education), book scanning (Fillip), traffic control (Cabinet), and radio (Volume).

Jake Goldenfein is a Fellow and PhD candidate at the Centre for Media and Communications Law at Melbourne Law School doing socio-legal research on histories of communication technologies and the legal regimes governing them with a focus on state archives (criminal records, photos and dossiers). He has been a researcher at Melbourne Law School, New York Law School, and The Swinburne Institute for Social Research in the fields of intellectual property, media and communications history and theory, communications policy, privacy and media law. His recent publications cover topics such as police photography, informal media economies, legal accidents, and the history of the archive.


ALEXIE GLASS-KANTOR APPOINTED EXECUTIVE DIRECTOR AT ARTSPACE, SYDNEY
27.08.2013

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Gertrude Contemporary congratulates Alexie Glass-Kantor on her recent appointment to the position of Executive Director at Artspace, Sydney. 

After 7 years at the helm, Gertrude Contemporary Director - Senior Curator Alexie Glass-Kantor has announced she will leave her current role to take up the position of Executive Director at Artspace, Sydney. 

Glass-Kantor has lead Gertrude Contemporary through a period of dynamic development, spearheading the expansion of the organisation’s programs and its international standing. 

During her time as Director, Glass-Kantor oversaw the growth of the International Residency and Visiting Curators Programs and the establishment of the Gertrude’s Table Patron’s Program. Also during her tenure, Gertrude Contemporary underwent a major rebranding with the launch of a new identity and website by Fabio Ongarato Design. Glass-Kantor led the ongoing partnership with FOD and significant expansion in the publishing program at Gertrude Contemporary, which has generated multiple awards.  

Glass-Kantor curated exhibitions of work by Manuel Ocampo, Ulla Von Brandenburg, Harun Farocki and Young-Hae Chang: Heavy Industries and was instrumental in bringing Australian art into an global context alongside international artworks within the Gertrude Contemporary exhibition program.  She initiated the internationally acclaimed Independence Project, connecting Australian contemporary artists with peers and organisations in the region through residency and exhibition collaborations between Gertrude Contemporary and colleague organisations in Malaysia, Italy, Singapore, China and Korea. Glass-Kantor was invited to speak on this unique program at the Independent Curators International Curators Perspective series in New York in June of this year. 

Mandy Fox, Chair of the Gertrude Contemporary Board of Directors says  “Alexie has been a passionate and hardworking Director in the 7 years she has been with Gertrude. We thank her for all her tireless efforts over this time. Her talent, knowledge, enthusiasm and dedication have been outstanding. Alexie has contributed a great deal to Gertrude during her time with us, and there is no doubt she will be missed by all. We wish her well in her new position.”

Glass-Kantor states, “Over thirty years Gertrude Contemporary has accumulated an impressive alumni of artists, collaborators, supporters and peers. Building on that history it is an organisation that I was honoured to lead and it was immensely rewarding to work in tandem with the talented staff and board to establish new pathways and programming partnerships. Everyday I was reminded of the importance of community and collaboration: Gertrude Contemporary with its unique mix of studios and curatorial programs embodies the best qualities of creativity, generosity and exchange. Making the decision to leave was a difficult one, however I believe the organisation is poised to seize new opportunuties for growth and development. I look forward to a continued involvement with this gutsy and vital institution.”

Glass-Kantor continues as Director - Senior Curator at Gertrude Contemporary until mid October, departing after the launch of The Somali Peace Band, the highly anticipated project presented by Gertrude Contemporary and Melbourne Festival as part of their annual partnership. She replaces former Artspace Executive Director Blair French who is now Assistant Director, Curatorial and Digital at The Museum of Contemporary Art. 

 


GERTRUDE CONTEMPORARY - DISCIPLINE LECTURE #5:
26.08.2013

1 - Print

LECTURE #5: WORDS, NAMES, PLACES, BEASTS AND THINGS

CAOIMHÍN MAC GIOLLA LÉITH                                                                                          

IN CONVERSATION WITH REBECCA COATES

TUESDAY 27 AUGUST, 2013, 6PM FOR 6:30PM, FREE EVENT, BOOKINGS UNNECESSARY

We are pleased to announce that the fifth lecture of the Gertrude Contemporary - Discipline: Contemporary Art Lecture Series will be given by Irish critic and curator Caoimhín Mac Giolla Léith, followed by a conversation with Rebecca Coates.

Mac Giolla Léith will draw on his research in the fields of Irish-language linguistics and literary criticism to address artworks including Franz Ackermann’s Mental Maps (1991-), Douglas Gordon’s Play Dead. Real Time (2003) and Ceal Floyer’sThings (2009). He will contextualise these works within wider debates surrounding the relationship between words and things and between naming and mapping. The lecture will also consider various questions raised by the resurgence in recent years of a variety of ahumanist forms of thought.

The Gertrude Contemporary - Discipline: Contemporary Art Lecture Series is a collaboration between Melbourne-based contemporary art journal Discipline and Gertrude Contemporary. The series presents lectures on key concerns, artists and theories of contemporary art.  Throughout 2013 lecturers will speak from the perspective of a variety of different disciplines — including philosophy, cultural studies, art history and literary studies — as well as from academic and non-academic backgrounds.

Caoimhín Mac Giolla Léith is visiting Australia as part of the Gertrude Contemporary Visiting Curators Program which is funded by Arts Victoria.

Caoimhín Mac Giolla Léith is a critic and occasional curator who teaches in the School of Irish, Celtic Studies, Irish Folklore and Linguistics at University College Dublin.  In addition to his writings on literature in the Irish language he has published widely on contemporary art. Among his most recent publications are monographic essays on the work of Douglas Gordon, Annette Kelm, Elad Lassry, Anj Smith, John Stezaker and James Welling.  He is a contributor to Afterall, Artforum, Frieze, Parkett and Tate Etc.  He has curated exhibitions in Dublin, London, Amsterdam and New York and was a juror for the 2005 Turner Prize.

Rebecca Coates is an independent curator and writer, Associate Curator, ACCA, and lecturer in Art History and Art Curatorship, School of Culture and Communications, University of Melbourne.  In 2013 she completed a PhD in the field of exhibition histories.  She has worked extensively as a curator in Australia and overseas, including ACCA, the NGV, and MOMA Oxford, where she curated and developed an extensive program of touring exhibitions and collaborative projects with art spaces and museums in the UK and Europe.  She writes regularly for Australian and international art journals and publications.


OTHERFILM - GERTRUDE CONTEMPORARY SCREENING SERIES #2
12.08.2013

WHAT'S WRONG WITH THIS PICTURE?

TUESDAY 13 AUGUST, 2013, 6PM FOR 6:30PM. FREE EVENT, BOOKINGS UNNECESSARY 

The social life of the photograph – fallible, ubiquitous, promiscuous – is the subject of this program.

The undermining of photographic authority was a favoured sport of conceptual artists, who took the photograph to task for its claims to veracity, gravity and especially, the status of Art. Experimental films by artists about photography tend to exploit the tension between the photograph as documentary record and its obvious constructedness, in the process raising the question: “What is really being exposed here?”

In Richard Serra’s FRAME, the film camera documents as the artist makes a “series of measurements with a six inch ruler that demonstrate the disparity between what is seen through the lens of a camera and the direct visual perception of the same space. An unseen voice directs Serra as he stands just outside of the camera’s frame (with only his arms and hands in sight), talking through his process and reporting his measurements.”

The volatile American filmmaker, Owen Land (formerly George Landow, 1944-2011), earned a special place in the avant-garde film canon with works distinguished by their critique of romantic optics and prescient comment on simulation. The film WHAT’S WRONG WITH THIS PICTURE? highlights Land’s concern with faulty facsimiles, bringing the viewer to a direct confrontation with the inherent instability of the image as it circulates in everyday discourse.

Morgan Fisher uses the action of photography as a reflexive gesture to pick apart the mechanics of film production, and the apparatus of the moving image. PRODUCTION STILLS highlights Fisher’s simultaneously playful and deconstructive concerns: a perfectly enclosed narrative of its own production, the image is one long take (11 minutes) of a wall on which a hand pins a number of Polaroids, one after the other. The Polaroids depict the crew making the film, while the synchronous sound allows us to hear their chatter and the hum and whirr of the still camera in ‘real time’.

Japanese artist Takashi Ito probes the seam between the moving and still image. In SPACY, a film composed of entirely of still photographs, the viewer is catapulted into the recursive world of a seemingly endless roller coaster ride through an empty gym. Underscored by a menacing soundtrack, as the late Tokyo playwright Koharu Kisaragi wrote, “the film makes you break out in sweat just by shooting a safe, peaceful gymnasium.” According to Ito, “Film is capable of presenting unrealistic world as a vivid reality and creating a strange space peculiar to the media. My major intention is to change the ordinary everyday life scenes and draw the audience (myself) into a vortex of supernatural illusion by exercising the magic of films.” (Image Forum, Oct.1984)

In BOOBS A LOT, trailblazing Australian filmmaker, provocateur and one-time hot-air balloonist Aggy Read (1941-1998) appropriates softcore girlie magazine photographs as both a provocation to Australian censors, and an assertion of film’s capacity to realise a rebellious transformation of mainstream images. Boobs A Lot is set to and in homage to the titular song by The Fugs.

With links to the tradition of the essay film (a genre noted for its reliance on still images, as in the works of Chris Marker), Melbourne collective JAH JAH SPHINX (an image-dialogue blog started circa 2006CE) describe themselves as “a form of communication between the contributors, secondly a web audience. Thirdly a dialogue between the images and posts themselves opening a myriad of relationships and readings.”

Program:

WHAT’S WRONG WITH THIS PICTURE?

Owen Land, 16mm, 1972,  5 mins, USA

FRAME

Richard Serra, 16mm, 1971, 21 mins, USA

PRODUCTION STILLS

Morgan Fisher, 16mm, 1970, 11 mins, USA

SPACY

Takashi Ito, 16mm, 1981, 10 mins, Japan

BOOBS A LOT

Aggy Read, 16mm, 1966, 3 mins, Australia

Live Presentation

JAH JAH SPHINX

slide show and live sound, 15 mins, Australia

The OtherFilm - Gertrude Contemporary Screening Series presents screenings and events responding to exhibitions and stand-alone programs that survey moving image art.

OtherFilm are an artists’ collective that, since 2004, have explored the creative possibilities of experimental film, video, music and live performance by curating numerous festivals, international screening programs, and exhibitions. OtherFilm are driven by a central curiosity about the limits of the moving image, and its capacity to reorganise human perception. OtherFilm is co-directed by Joel Stern in Melbourne, Danni Zuvela in Brisbane and Sally Golding in London.              

http://otherfilm.org/

16mm prints courtesy of The National Film and Sound Archive of Australia (NFSA)

 


GERTRUDE CONTEMPORARY - DISCIPLINE LECTURE # 4: LAUREN CORNELL
30.07.2013

Wednesday, 31 July, 6.30 - 7.30pm

Gertrude Contemporary is pleased to announce that New York based curator Lauren Cornell will give the fourth lecture in the Gertrude Contemporary – Discipline: Contemporary Art Lecture Series. Cornell is one of the most innovative curators practising today and is undertaking a curatorial residency at the invitation of Gertrude Contemporary, which has been supported by the Australia Council for the Arts.

During her talk, Cornell will give a succinct overview of art engaged with the internet, and explore how the vastly accelerated circulation and distribution of contemporary art has facilitated the emergence of new communities, new aesthetics and formal trends and a host of discursive opportunities, and challenges. Cornell will focus on her work with Rhizome, as well as recent exhibitions she has organized, including Free (2010) at the New Museum, and Circulate (2012) at Foam, Amsterdam, and briefly discuss her work as Curator of the Museum as Hub and The 2015 New Museum Triennale.

Formerly Executive Director of Rhizome, Cornell is now Curator of 2015 Triennial (with Ryan Trecartin), Curator of Digital Projects and the Museum as Hub, which is a new model for curatorial practice and institutional collaboration at the New Museum. During her visit to Australia Cornell will be researching for these projects, meeting with artists, galleries and other curators. Her dynamic approach has been recognised internationally and she has co-curated two recent pivotal exhibitions; The Generational: Younger than Jesus, 2009 (co-curated with Massimiliano Gioni and Laura Hoptman) and Free, 2010, both at the New Museum, amongst numerous other exhibitions.

Gertrude Contemporary’s Visiting Curators Program, funded through the Australia Council for the Arts’ Visiting International Curators Program, aims to open new opportunities for Australian artists to locate their work in an international context, and for international curators to establish ongoing, in-depth relationships with Australian peers and networks. During her visit Cornell will be focusing on research and development for her current curatorial projects at the New Museum.

Cornell’s inclusion in the Gertrude Contemporary - Discipline: Contemporary Art Lecture Series is an exciting and rare opportunity for a Melbourne audience to hear one of the most critically engaged curators speak about key issues in media art today.

The Gertrude Contemporary - Discipline: Contemporary Art Lecture Series is a collaboration between Melbourne based contemporary art journal Discipline and Gertrude Contemporary. The series presents lectures on key concerns, artists and theories of contemporary art. Throughout 2013 lecturers will speak from the perspective of a variety of different disciplines — including philosophy, cultural studies, art history and literary studies — as well as from academic and non-academic backgrounds.

Listen to Lauren Cornell's lecture here.


CURATOR'S AND ARTISTS' FLOORTALK AS PART OF OCTOPUS 13: ON THIS DAY ALONE
26.07.2013

Saturday 27 July, 2-3pm

As part of Octopus 13: on this day alone, Cuartor Glenn Barkley along with artists Madeleine Preston, Luke Willis Thompson and Agatha-Gothe Snape will provide a guided walk through of the exhibition. 

on this day alone explores the ways that eight Australian and international artists, most of whom are not normally considered photographers, employ photography within their practice. The artists in Barkley’s selection use photography as a means to an end rather than an end in itself, highlighting how photography can be both research material as well as a final object.

You can learn more about the exhibition and view images here.


2013 MADDOCKS ART PRIZE ANNOUNCED
06.06.2013

2 - Ash Kilmartin, Kilmartin House Museum, 2013 (detail), bronze, thirteen pieces, overall size 3 m diameter. Photo credit: Jake Walker

Gertrude Studio Artist Ash Kilmartin has been awarded the 2013 Maddocks Art Prize which was announced at Gertrude Contemporary on Thursday 6 June.

Since 2005 Maddocks law firm has awarded the Maddocks Art Prize in recognition of the importance of studio residency in contemporary art practice. Maddocks invites participation from five shortlisted artists currently in residence at Gertrude Contemporary (Melbourne) and five shortlisted artists from Artspace (Sydney).

The Maddocks Art Prize was judged this year by Mr Doug Hall AM, Mr Jeff Khan, Co-director of Performance Space, Ms Mira Gojak, winner of the Maddocks inaugural Art Prize in 2005 and Mr Mark Henry, Partner at Maddocks and Australian Commissioner, Venice Biennale 2013. The prize consists of a return air fare to Venice, accommodation in an apartment provided by Maddocks for a week during the Biennale and a stipend. The shortlist of Gertrude artists selected by Maddocks this year included Christopher LG Hill, Alasdair McLuckie, Eliza Dyball, Ash Kilmartin and Agatha Gothe-Snape.  Previous recipients from Gertrude Contemporary alumni include: Michelle Ussher, Richard Lewer, Benjamin Armstrong and Trevelyan Clay.

 

Ash Kilmartin's constructed sculptural works consider the nature of time, labour and value. Her works occur as semi-permanent alterations to space, or as temporary sculptural responses to their particular locations.

Kilmartin holds Bachelor of Fine Arts (Honours) and Bachelor of Arts degrees from the Elam School of Fine Arts, the University of Auckland and the University of Melbourne. Recent solo exhibitions include Kilmartin House Museum, Studio 12, Gertrude Contemporary, Melbourne; The Perpetual Planner, RM, Auckland; STOP WORK, Y3K, Melbourne. Selected group exhibitions include Impossible Objects II, Utopian Slumps, Melbourne; HOUSE WEAR, State of Design Festival, Melbourne; Another Yummy Fantasy II, TCB, Melbourne.


GERTRUDE-DISCIPLINE: CONTEMPORARY ART LECTURE SERIES #3
23.06.2013

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LECTURE #3: JUSTIN CLEMENS, WHAT DO WE TALK ABOUT WHEN WE TALK ABOUT CONTEMPORARY ART?

 

Monday 24 June, 6pm for 6:30pm. This is a free event and bookings are unnecessary.

We are pleased to announce that the third lecture of the Gertrude Contemporary - Discipline: Contemporary Art Lecture Series will be given by Justin Clemens. His lecture What do we talk about when we talk about contemporary art? will coincide with the publication of his forthcoming book Psychoanalysis is an Antiphilosophy

This lecture surveys the most important theories of contemporary art – including those by Giorgio Agamben, Alain Badiou, Boris Groys, Jacques Ranciere, various Octoberites and so-called Speculative Realists – in order to point out their strengths and weaknesses, and outline several possible new ways of talking about art. 

The Gertrude Contemporary - Discipline: Contemporary Art Lecture Series is a collaboration between Melbourne-based contemporary art journal Discipline and Gertrude Contemporary. The series presents lectures on key concerns, artists and theories of contemporary art. Throughout 2013 lecturers will speak from the perspective of a variety of different disciplines — including philosophy, cultural studies, art history and literary studies — as well as from academic and non-academic backgrounds. 

Justin Clemens writes extensively on contemporary Australian art and European philosophy. His books include Psychoanalysis is an Antiphilosophy (Edinburgh: Edinburgh UP 2013); Minimal Domination(Melbourne: Surpllus 2011), a collection of writings on art; and, with Dominic Pettman, Avoiding the Subject (Amsterdam: Amsterdam UP 2004). His creative works include the poetry chapbook Me ‘n’ me trumpet (Sydney: Vagabond 2011); the novella Black River (Melbourne: re.press 2007), with collages by Helen Johnson; and the mock-epic poem The Mundiad (Melbourne: Black Inc 2004). He is also the co-editor of collections on and by such major contemporary thinkers as Giorgio Agamben, Alain Badiou, and Jacqueline Rose. He teaches at the University of Melbourne. 

Listen to Justin Clemens' lecture What do we talk about when we talk about contemporary art? here.

 


GERTRUDE CONTEMPORARY - DISCIPLINE: CONTEMPORARY ART LECTURE SERIES
27.05.2013

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LECTURE #2: THE TRAUMA OF THE POLITICAL - OR, CATCH ME I'M FALLING (INTO THE ARMS OF THE LAW)

DR JULIET ROGERS IN CONVERSATION WITH MARIA TUMARKIN

Tuesday 28 May, 2013, 6pm for 6:30pm. Free lecture. No bookings necessary.

The second lecture of the Gertrude Contemporary - Discipline: Contemporary Art Lecture Series The Trauma of the Political – or, catch me I’m falling (into the ambivalent arms of law) will be given by Dr Juliet Rogers followed by a conversation with writer and cultural historian Maria Tumarkin.

There is an excitement about falling that betrays itself in images and experiences of the flesh, from Richard Drew’s capture of the Falling Man during September 11, 2001, to climate change activists’ depictions of the psychosis of not believing we will hit the ground, and the suspended nature of the work of William Kentridge. Art and falling go hand in hand, and Rogers suggests, so too does politics. We can see the current politics of the liberal democratic, in which sovereign aggression is excused by sovereign care. Where law both pushes the subject into the abyss in the interests of its protection, and where flesh is cut, tortured and even killed as a mode of justice. A contemporary democratic politics that embodies such paradox offers a thin space between the air and the ground, and demands the fantasy of endless capture, for some, and the foreclosure of the possibility that flesh may fall and not be caught.

The Gertrude Contemporary - Discipline: Contemporary Art Lecture Series is a collaboration between Melbourne based contemporary art journal Discipline and Gertrude Contemporary. The series presents lectures on key concerns, artists and theories of contemporary art. Throughout 2013 lecturers will speak from the perspective of a variety of different disciplines — including philosophy, cultural studies, art history and literary studies — as well as from academic and non-academic backgrounds.

 

Dr Juliet Rogers is Faculty Member at the School of Political Sciences, Criminology at the University of Melbourne, and currently an Australian Research Council DECRA Fellow undertaking a psychoanalytic examination of the ‘Quality of Remorse’ after periods of political and military conflict. She was formerly a community worker and then a psychotherapist. She turned from this life to work in academia and she has recently been a Visiting Fellow at the European University Institute, Florence, at Yale Law School, Connecticut and at the University of Cape Town Law School, South Africa. Her work is always a melding between psychoanalysis and law, that is, it is always a concern with the limit. She recently published Law’s Cut on the Body of Human Rights: Female Circumcision, Torture and Sacred Flesh which will be out in July with Routledge, and she is currently working on a monograph on Remorse.

Maria Tumarkin is a Melbourne-based writer and cultural historian. She is the author of three acclaimed books of ideas: Traumascapes, Courage and Otherland. Maria’s essays – tackling our culture’s preoccupations and blindspots – have been included in Best Australian Essays 2011 and 2012. Maria holds a PhD in cultural history from the University of Melbourne. She has taught at universities and writing centres, directed video clips, written radio documentaries, contributed catalogue essays for galleries and museums, and forged ongoing collaborations with artists and psychologists. She is a 2013-14 Sidney Myer Creative Fellow.

Listen to Juliet Rogers lecture The Trauma of the Political – or, catch me I’m falling (into the ambivalent arms of law) here.
 


 


ARTIST IN RESIDENCE: VICTORIA WAREHAM, OPEN STUDIO
23.04.2013

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OPEN STUDIO EXHIBITION: STUDIO 18, Lv 2 GERTRUDE CONTEMPORARY 

23 April – 27 April 2013, 11am - 5:30pm. (Please note this exhibition and Gertrude Contemporary will be closed on Thursday 25 April due to the Anzac Day public holiday.)

Victoria Wareham, London based artist and current Studio 18 artist in residence at Gertrude Contemporary, is holding an open studio exhibition this week. Make up for you alter ego is a selection of new site-specific works produced during her time in Australia.

Victoria is an award-winning artist based in London and has exhibited film installations across the UK and internationally. She has taught at a number of higher education institutions including the University of the Arts London.

Working with the moving image in physical space, Victoria’s practice addresses theoretical concerns relating to cultural mimicry, performance and social mutation as defined by popular culture.

Hollywood Miosis (2013) is a site-specific series of new video works that recreate iconic scenes from ‘The Shining’ and ‘Vertigo’ in the Studios of Gertrude Contemporary.

The work is presented as a multi-screen, layered projection that plays with the physical and virtual properties of the cinematic image allowing the viewer to inhabit and navigate through the work on multiple levels. The circular incisions made in the projection screen remove the work from its inherent cinematic qualities and replaces them with references to the mechanical operation of the camera and perception and interpretation of the image by the eye.

The Good, The Bad and The Ugly (2013) is a sculptural work that makes clear reference to the final eight minutes of the iconic film of the same title.  A sculptural representation of this iconic cinematic scene, the work transforms this fictitious two-dimensional reality into a theatrical prop which, when activated by the presence of the viewer, is a clear three-dimensional reconstruction of this scene.

See Victoria's website and blog detailing her residency at Gertrude Contemporary. 


2013 EMERGING WRITERS ANNOUNCED
21.04.2013

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We are delighted to announce the mentees for the 2013 Gertrude Contemporary and Art and Australia Emerging Writers Program. 

Run in partnership with Australia’s leading art magazine Art and Australia, this program offers four emerging writers the opportunity to develop their writing practice and gain further insight into the field of contemporary art writing through a mentorship with a leader in the feild and to create two pieces of professional writing for publication.

In 2013 the participants will be:

Miri Hirschfeld (Melbourne) who will be mentored by Bala Starr, Senior Curator, The Ian Potter Museum Melbourne University

Annika Kristensen (Sydney) who will be mentored by Aaron Seeto,Director, 4A Centre for Contemporary Asian Art, Sydney

Andrew Purvis (Melbourne) who will be mentored by Dr Peter Hill, artist, writer, independant curator and Associate Professor of Fine Art at RMIT University, Melbourne

Chloé Wolifson (Sydney) who will be mentored by Kathy Bail, Chief Executive, UNSW Press, Sydney.

The Gertrude Contemporary and Art and Australia Emerging Writers Program was established in 2005 to provide a unique opportunity for emerging visual arts writers to contribute to the critical discussion of Australian contemporary art. 

The aim of the Emerging Writers Program is to professionally support emerging arts writers who are committed to a career in the arena of contemporary art and criticism. This program contributes to the growth of a rich and insightful critical culture around contemporary art, providing participants with professional development and mentorship. This is the longest-running program of its kind in Australia and offers unparalleled access to professional networks and the opportunity to publish in Australia’s most important art magazine. 

Each writer will create a catalogue essay for a Gertrude Contemporary Studio 12 exhibition and an artist profile for the Art and Australia / Credit Suisse Private Banking Contemporary Art Award for publication in Art and Australia magazine. 

To view previously published outcomes of this program please see the Emerging Writers section on our website.

This program is made possible with the support of The Ian Potter Foundation.


GERTRUDE CONTEMPORARY AND NEW MUSEUM
21.04.2013

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Gertrude Contempoary has been listed in the online New Museum Art Spaces Directory alongside our incredible international colleague organisations the world over. The Directory is an international guide to independant art spaces "where contemporary art and artists are nurtured, interrogated and sustained". See the New Museum website for more information and to explore the directory.


ANNOUNCING A NEW LECTURE SERIES
10.04.2013

 

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Gertude Contemporary is pleased to announce the Gertrude Contemporary - Discipline: Contemporary Art Lecture Series. 

The Melbourne-based contemporary art journal Discipline will be collaborating with Gertrude Contemporary to present a series of lectures on key concerns, artists and theories of contemporary art. The guest lecturers will speak from the perspective of a variety of different disciplines — including philosophy, cultural studies, art history and literary studies — as well as from academic and non-academic backgrounds. The lectures will be held at Gertrude Contemporary throughout 2013 and are free of charge. 

The first lecture of the Gertrude Contemporary - Discipline: Contemporary Art Lecture Series will be given by Rex Butler. ‘John Nixon: A Communist Artist’ will examine the work of Melbourne-based abstract artist John Nixon who has been the subject of much discussion over the past twenty years. He has been lauded for continuing the radical experiments of Russian constructivism, criticised for not being truly experimental, and positioned as continuing an avant-garde tradition that somehow brings together the monochrome and the readymade. In his paper, soon to be published in the journal Discipline, Rex Butler reads Nixon’s work through the writings of art critic Boris Groys to suggest that it is—of all things—communist. 

Rex Butler teaches in the School of English, Media Studies and Art History at the University of Queensland, specialising in contemporary and Australian art. He is currently working on a book on Deleuze and Guattari’s What is Philosophy? 

FIRST LECTURE: THURSDAY 11 APRIL, 2013, 6PM FOR 6:30PM  

 Rex Butler, John Nixon: A Communist Artist

This event is free. Bookings are unncessesary. 

 

Banner design generously provided by Annie Wu.

 


REASON & RHYME
25.09.2011

ST PAUL St Gallery is pleased to invite you to the opening of Reason and Rhyme, Thursday 29 September, 5:30pm.

Artists: Damiano Bertoli, Julian Dashper, Richard Frater and Roman Mitch, Starlie Geikie with Helen Walter, Simon Morris, Campbell Patterson, Hanna Tai, Mimi Tong, Jake Walker.
Curated by: Emily Cormack, Charlotte Huddleston, Amita Kirpalani.

Bringing together artists from Australia and New Zealand Reason and Rhyme explores the urge to structure and guide creative production through systems, grids and frameworks.

This is the second exhibition in a two part collaborative exchange project with Gertrude Contemporary, Melbourne.  The exhibition at ST PAUL St investigates further how these systematic devices contain and channel creative impulse. It addresses the urge to locate oneself within the map or the doctrine, and to impose rules and structures across creative practice.

Work in this iteration extends upon the first exhibition with the inclusion of a collaborative work by Starlie Geikie and Architect Helen Walter, and a new on-site work by Richard Frater and artist and curator Roman Mitch.

Join us for an artist and curator talk 12.30pm Saturday 1 October ST PAUL St Gallery One

 


2012 NEXT WAVE EMERGING CURATOR'S PROGRAM RECIPIENTS ANNOUNCED
22.06.2011

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Next Wave Festival and Gertrude Contemporary are pleased to announce that Marcel Cooper and Bronwyn Bailey-Charteris have been selected to participate in the 2012 Emerging Curators Program. This collaborative curatorial team have recently relocated from Sydney to Melbourne and are eager to begin developing their proposed exhibition for launch in March 2012 at Gertrude Contemporary, in association with the 2012 Next Wave Festival.

Established in 2001,  the Emerging Curators Program offers participants the opportunity to develop a major exhibition project in close consultation with Gertrude Contemporary and Next Wave staff, as well as to develop promotion, presentation and project management skills.

The objective of the program is to professionally support emerging curators who are committed to a career in the field.  The program contributes to the growth of a rich and insightful enquiry into emerging artistic practice and contemporary curatorial practice, providing participants with professional development opportunities and valuable technical expertise.


SRIWHANA SPONG IN CONVERSATION WITH EMILY CORMACK AT THE NATIONAL GALLERY OF VICTORIA
04.02.2011

Sriwhana Spong will discuss her work in conversation with Gertrude Curator Emily Cormack. The talk is presented as part of the exhibition Unnerved: The New Zealand Project at The National Gallery of Victoria.

VENUE: National Gallery of Victoria International, St. Kilda Rd, Melbourne
DATE: Saturday 5 February, 12.30pm


DIRECTOR ALEXIE GLASS-KANTOR ANNOUNCED AS CO-CURATOR OF 2012 ADELAIDE BIENNIAL
10.11.2010

 

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"Dynamic duo" appointed to curate 2012 Adelaide Biennial

Art Gallery of South Australia Director, Nick Mitzevich today announced the appointment of Alexie Glass-Kantor and Natasha Bullock as curators of the 2012 Adelaide Biennial of Australian Art.

Nick Mitzevich said, “Natasha Bullock and Alexie Glass-Kantor are a dynamic duo with an innovative and exciting vision for the 2012 Adelaide Biennial. The exhibition they are planning will be spectacular. It will raise the bar and reaffirm the Adelaide Biennial’s position as the nation’s foremost statement on contemporary Australian art.”

Natasha Bullock is the Curator of Contemporary Art at the Art Gallery of New South Wales, Sydney, while Alexie Glass-Kantor is the Director of Gertrude Contemporary Art Spaces, Melbourne. Both are known as creative contributors to the contemporary visual arts scene through their work as curators and writers involved in cutting-edge art projects nationally and internationally.

The Adelaide Biennial was established in 1990 and is staged every two years by the Art Gallery of South Australia as the flagship visual arts event of the Adelaide Festival of Arts. It is dedicated to showcasing up-to-the-minute works by Australian artists and has previously been curated by some of this country’s leading curators who work independently of the Gallery on the project.

Glass-Kantor and Bullock will begin working immediately on the 2012 Biennial, which will feature some site-specific elements and direct responses to the state art collection. Alexie Glass-Kantor and Natasha Bullock stated, “The 2012 Adelaide Biennial will be about new works and new ways of showing what it means to create art in the contemporaneous moment. As curators, we are moved by artists who explore the texture of the contemporary, how ideas emerge and reform over time. We are looking forward to working with the Art Gallery of South Australia to produce exciting and strategic parallels and collisions between the spaces traditionally occupied by the Biennial and the Gallery’s collection spaces.”

Full details of the 2012 Adelaide Biennial of Australian Art and the artists selected for inclusion will be revealed in the lead up to the 2012 Adelaide Festival. To arrange an interview with Alexie Glass-Kantor and Natasha Bullock contact: Miranda Starke Young 08 8207 7032 or 0409 919 510 [email protected] | Heidi Chamberlain 08 8207 7554 [email protected] Art Gallery of South Australia. North Terrace Adelaide.